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Jerusalem: Chronicles from the Holy City Guy Delisle "Neither Jewish nor Arab, Delisle explores Jerusalem and is able to observe this strange world with candidness and humor...But most of all, those stories convey what life in East Jerusalem is about for an expatriate."—Haaretz "Engaging...[ Delisle] highlights the very complex lives of Israelis, Palestinians, and foreign residents."—Publishers Weekly Starred Review Guy Delisle expertly lays the groundwork for a cultural road map of contemporary Jerusalem, utilizing the classic stranger in a strange land point of view that made his other books, Pyongyang, Shenzhen, and Burma Chronicles required reading for understanding what daily life is like in cities few are able to travel to. In Jerusalem: Chronicles from the Holy City, Delisle explores the complexities of a city that represents so much to so many. He eloquently examines the impact of the conflict on the lives of people on both sides of the wall while drolly recounting the quotidian: checkpoints, traffic jams, and holidays. When observing the Christian, Jewish, and Muslim populations that call Jerusalem home, Delisle’s drawn line is both sensitive and fair, assuming nothing and drawing everything. Jerusalem showcases once more Delisle’s mastery of the travelogue. |
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Hark! A Vagrant Kate Beaton FEATURED ON MORE THAN TWENTY BEST-OF LISTS, INCLUDING TIME, AMAZON, E! AND PUBLISHERS WEEKLY! Hark! A Vagrant is an uproarious romp through history and literature seen through the sharp, contemporary lens of New Yorker cartoonist and comics sensation Kate Beaton. No era or tome emerges unscasthed as Beaton rightly skewers the Western world's revolutionaries, leaders, sycophants, and suffragists while equally honing her wit on the hapless heroes, heroines, and villains of the best-loved fiction. She deftly points out what really happened when Brahms fell asleep listening to Liszt, that the world's first hipsters were obviously the Incroyables and the Merveilleuses from eighteenth-century France, that Susan B. Anthony is, of course, a "Samantha," and that the polite banality of Canadian culture never gets old. Hark! A Vagrant features sexy Batman, the true stories behind classic Nancy Drew covers, and Queen Elizabeth doing the albatross. As the 500,000 unique monthly visitors to harkavagrant.com already know, no one turns the ironic absurdities of history and literature into comedic fodder as hilariously as Beaton. |
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Pyongyang: A Journey in North Korea Guy Delisle A westerner's visit into North Korea, told in the form of a graphic novel.
Famously referred to as one of the "Axis of Evil" countries, North Korea remains one of the most secretive and mysterious nations in the world today. In early 2001 cartoonist Guy Delisle became one of the few Westerners to be allowed access to the fortresslike country. While living in the nation's capital for two months on a work visa for a French film animation company, Delisle observed what he was allowed to see of the culture and lives of the few North Koreans he encountered; his findings form the basis of this remarkable graphic novel. Pyongyang is an informative, personal, and accessible look at a dangerous and enigmatic country.
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The Death-Ray Daniel Clowes ON TIME, NPR AND USA TODAY'S BEST-OF 2011 LISTS! WINNER OF THE EISNER, HARVEY AND IGNATZ AWARDS
Teen outcast Andy is an orphaned nobody with only one friend, the obnoxious—but loyal—Louie. They roam school halls and city streets, invisible to everyone but bullies and tormentors, until the glorious day when Andy takes his first puff on a cigarette. That night he wakes, heart pounding, soaked in sweat, and finds himself suddenly overcome with the peculiar notion that he can do anything. Indeed, he can, and as he learns the extent of his new powers, he discovers a terrible and seductive gadget—a hideous compliment to his seething rage—that forever changes everything.
The Death-Ray utilizes the classic staples of the superhero genre—origin, costume, ray gun, sidekick, fight scene—and reconfigures them in a story that is anything but morally simplistic. With subtle comedy, deft mastery, and an obvious affection for the bold pop-art exuberance of comic book design, Daniel Clowes delivers a contemporary meditation on the darkness of the human psyche. |
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Big Questions Anders Nilsen A NEW YORK TIMES NOTABLE BOOK OF 2011, INCLUDED ON AMAZON, PUBLISHERS WEEKLY, AND NPR'S BEST COMICS LISTS
A haunting postmodern fable, Big Questions is the magnum opus of Anders Nilsen, one of the brightest and most talented young cartoonists working today. This beautiful minimalist story, collected here for the first time, is the culmination of ten years and more than six hundred pages of work that details the metaphysical quandaries of the occupants of an endless plain, existing somewhere between a dream and a Russian steppe. A downed plane is thought to be a bird and the unexploded bomb that came from it is mistaken for a giant egg by the group of birds whose lives the story follows. The indifferent, stranded pilot is of great interest to the birds—some doggedly seek his approval, while others do quite the opposite, leading to tensions in the group. Nilsen seamlessly moves from humor to heartbreak. His distinctive, detailed line work is paired with plentiful white space and large, often frameless panels, conveying an ineffable sense of vulnerability and openness.
Big Questions has roots in classic fables—the birds and snakes have more to say than their human counterparts, and there are hints of the hero’s journey, but here the easy moral that closes most fables is left open and ambiguous. Rather than lending its world meaning, Nilsen’s parable lets the questions wander where they will. |
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What It Is Lynda Barry “Deliciously drawn (with fragments of collage worked into each page), insightful and bubbling with delight in the process of artistic creation. A+” —Salon
How do objects summon memories? What do real images feel like? For decades, these types of questions have permeated the pages of Lynda Barry’s compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry’s first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: “The ordinary is extraordinary.” |
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Sleepwalk: and Other Stories Adrian Tomine Collecting the first four issues of Adrian Tomine's acclaimed comic series optic nerve, this book offers sixteen concise, haunting tales of modern life. The characters here appear to be well-adjusted on the surface, but Tomine takes us deeper into their lives, subtly examining their struggle to connect with friends and lovers.
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Goliath Tom Gauld A master of striped-down, powerful storytelling reworks the David-and-Goliath myth
Goliath of Gath isn’t much of a fighter. Given half a choice, he would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: “Choose a man. Let him come to me that we may fight. If he be able to kill me then we shall be your servants. But if I kill him, then you shall be our servants.” Day after day he reluctantly repeats his speech, and the isolation of this duty gives him the chance to banter with his shield-bearer and reflect on the beauty of his surroundings.
This is the story of David and Goliath as seen from Goliath’s side of the Valley of Elah. Quiet moments in Goliath’s life as a soldier are accentuated by Tom Gauld’s drawing style, which contrasts minimalist scenery and near-geometric humans with densely crosshatched detail reminiscent of Edward Gorey. Goliath’s battle is simultaneously tragic and bleakly funny, as bureaucracy pervades even this most mythic of figures. Goliath displays a sensitive wit, a bold line, and a traditional narrative reworked, remade, and revolutionized. |
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Paying for It Chester Brown A CONTEMPORARY DEFENSE OF THE WORLD’S OLDEST PROFESSION Chester Brown has never shied away from tackling controversial subjects in his work. In his 1992 book, The Playboy, he explored his personal history with pornography. His bestselling 2003 graphic novel, Louis Riel, was a biographical examination of an extreme political figure. The book won wide acclaim and cemented Brown’s reputation as a true innovator. Paying for It is a natural progression for Brown as it combines the personal and sexual aspects of his autobiographical work with the polemical drive of Louis Riel. Brown calmly lays out the facts of how he became not only a willing participant in but a vocal proponent of one of the world’s most hot-button topics—prostitution. While this may appear overly sensational and just plain implausible to some, Brown’s story stands for itself. Paying for It offers an entirely contemporary exploration of sex work—from the timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice, to the modern-day transactions complete with online reviews, seemingly willing participants, and clean apartments devoid of clichéd street corners, drugs, or pimps. Complete with a surprise ending, Paying for It provides endless debate and conversation about sex work and will be the most talkedabout graphic novel of 2011. |
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Aya of Yop City Marguerite Abouet, Clément Oubrerie “[Aya] wittily delves into both the political and the pop during an enchanted era when anything seemed possible.” —Vibe Vixen
The original Drawn & Quarterly volume of Aya debuted last year to much critical acclaim, receiving a Quill Award nomination and praise for its accessibility and for the rare portrait of a warm, vibrant Africa it presents. This continuation of the dynamic story by Marguerite Abouet and Clément Oubrerie returns to Africa’s Ivory Coast in the late 1970s, where life in Yop City is as dramatic as ever. Oubrerie’s artwork synchronizes perfectly with Abouet’s funny and lighthearted writing, which together create a spirited atmosphere and scenarios that, however unique to the bygone setting, remain entirely contemporary in their effect.
The original cast of characters is back in full force, with a case of questionable paternity fanning the flames of activity in the community. The new mother Adjoua has her friends to help with the baby, perhaps employing Aya a bit too frequently, while a new romance leaves Bintou with little time for her friends, let alone their responsibilities. The young women aren’t the only residents of Yopougon involved in the excitement, however; Aya’s father is caught in the midst of his own trysts and his employer’s declining Solibra beer sales, and Adjoua’s brother finds his share of the city’s nightlife. |