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If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look," none of them is easily and practically utilized in general Shakespeare studies or performances.

Turns any keyboard into an EASY To PLAY instrument instantly Inexpensive and self-adhesive they attach to any size keyboard in seconds. The LINK to a system which has taught millions to play music.

Rosa's Adult Piano Course Music Theory: Piano Color Chord Method: Fun Piano Chord Tones: 1, 3, b3, 5, b7, 7, 9, 10. Understanding Advanced Piano Chords Can Help You Play Piano Without Struggle. The Best Seller For Piano Chords.

Description:

REVIEW:

Hi Rosa,

I've looked over your materials and I think you're doing and are going to do a great job with this! You obviously have a passion for it and communicate it clearly and effectively. I like the "CCI" concept as well and your ability to interject your personality in your writing in a very pleasing way.

I really like what you've done. It's very impressive! I like the personal tone you use which I believe will be just right. You present a lot of good music theory in a non-threatening manner. I've planned for a long time to write an improvisation book, and I think you may have inspired me with your very diligent and creative work.

Your book is done in a most excellent way! I highly recommend the creative and inspirational techniques of Rosa Suen for church pianists wanting to improve their improvisational skills for worship!

I want you to know that I think you are on to something and I pray that God blesses your work!
Sincerely,
James

James M. Stevens, DMA
Chairman of the Music Department
Free Will Baptist Bible College, Nashville, TN


DESCRIPTION:


Did you know that music theory can be quite fun and practical when it is presented in a fun & interactive way?

In this book, you will learn all about how to form Basic Chords & Color Chords to make your piano playing sound beautiful.

The Basic Chords have these tones: Tone 1, Tone 3, and Tone 5.

You will learn Color Chords with these added tones: Tone b3, Tone b7, Tone 7, Tone 9 & Tone 10.

With these 8 Chord Tones, you learn the music theory of how to form 4 tone Chords (the 7ths) and 5 tone Chords (the 9ths).



Table of Contents:

Chapter 1 MAJOR SCALES
THE C MAJOR SCALE
THE 12 MAJOR SCALES

Chapter 2 BASIC TRIAD CHORDS
CHORDS ARE BUILT FROM SCALE TONES
MAJOR AND MINOR TRIADS
THE 7 DIATONIC CHORDS IN THE KEY OF C
A SUMMARY CHART OF THE 7 DIATONIC CHORDS IN KEY OF C
THINK IN ROMAN NUMERALS
MANY SONGS CAN BE HARMONIZED WITH 3 MAJOR CHORDS
SUMMARY CHART OF DIATONIC CHORDS OF ALL 12 KEYS
THE SOUND OF MAJOR TRIADS

Chapter 3: DOMINANT CHORD V7 - THE b7th TONE ADDED TO CHORD V
THE V7 CHORD
Dominant 7
DOMINANT V7 AND TONIC I
V7 wants to resolve to I
V7 - I PERFECT CADENCE

Chapter 4: THE SUBDOMINANT CHORD THE IV CHORD
THE SUBDOMINANT CHORD
IV – I PLAGAL CADENCE

Chapter 5: THE 10TH COLOR TONE CHORD: OPEN HARMONY
THE 10TH COLOR TONE ADDED

Chapter 6: THE CIRCLE OF 5THS
THE DIAGRAM OF THE CIRCLE OF 5THS
THE CIRCLE OF 5THS REVEALS KEY SIGNATURES
THE CIRCLE REVEALS THE ORDER OF FLATS AND SHARPS
A TRICK TO MEMORIZE THE LETTERS IN THE CIRCLE
ROSA’S ROTARY CIRCLE
FINDING THE SCALE TONES OF ALL 12 MAJOR KEYS
COUNTER-CLOCKWISE CHORD MOVEMENT
USE THE CIRCLE TO IDENTIFY I IV V7 OF ALL 12 KEYS
THE CIRCLE OF 5THS REVEALS THE 7 DIATONIC CHORDS OF ALL 12 KEYS

Chapter 7: THE 7TH COLOR TONE ADDED TO CHORDS I & IV
SEVENTH CHORDS ARE 4-TONE CHORDS
MAJOR 7 CHORDS
THE SOUNDS OF MAJOR 7 CHORDS IN ALL 12 KEYS
MAJOR 7 SUBSTITUTION CHORD

Chapter 8: MINOR COLOR CHORDS – b3 Color Tone
MINOR CHORDS
MINOR 7 CHORDS
THE SOUND OF MINOR CHORDS
MINOR CHORD SUBSTITUTION RULES
Dm7 and G7
CHORD PROGRESSION ii7 V7 I
ii7 V7 I in 12 Keys

Chapter 9: SECONDARY DOMINANTS II7
HOW TO FORM THE II7 CHORDS?
WHEN DO WE USE II7 INSTEAD OF ii7?
II7 V7 I in 12 Keys

Chapter 10: THE 9th COLOR TONE CHORD
ADDING COLOR TONES ONE BY ONE
UPPER CHORD EXTENSIONS
HOW ARE EXTENSION CHORDS FORMED?
MAJOR 9, MINOR 9 & DOMINANT 9 CHORDS
9th CHORDS ARE 5-TONE CHORDS
SUBSTITUTING 9TH CHORDS IN IT IS WELL WITH MY SOUL

Bonus Chapter: Reharmonization

For more chord studies, visit here:
http://www.LearnPianoWithRosa.com

If there ever has been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be the Applause Folio Texts. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. The heavy mascara of four centuries of Shakespearean glossing has by now glossed over the original countenance of Shakespeare's work. Never has there been a Folio available in modern reading fonts. While other complete Folio editions continue to trade simply on the facsimile appearance of the Elizabethan "look," none of them is easily and practically utilized in general Shakespeare studies or performances.

A series for the early beginner combining rote and note approach. The melodies are written with careful thought and are kept as simple as possible, yet they are refreshingly delightful. All the music lies within the grasp of the child's small hands.

This comprehensive collection of 205 scores illustrates every significant trend and genre of Western music from antiquity to modern times.

Highlights of the repertoire include new works from all periods: more contrasting virelais, ballades, and other chansons from the fourteenth through the sixteenth centuries; large-scale choral works, including Gabrieli’s In ecclesiis, Lully’s Te Deum, Haydn’s Creation, and Prokofiev’s Alexander Nevsky; more opera, including Norma, Les Huguenots, and Madama Butterfly; orchestral and chamber works by Schubert, Schumann, Brahms, Dvorák, and Tchaikovsky; and new twentieth-century works by Satie, Bartók, Milhaud, Prokofiev, Varèse, Hindemith, Cowell, Cage, Feldman, Stockhausen, Boulez, Berio, Reich, Adams, Ligeti, Schnittke, and Michael Daugherty.

The 2nd Edition Level 1 Lesson Book introduces all the notes of the grand staff, elementary chord playing, and the concept of tonic and dominant notes. Students play in varied positions, reinforcing reading skills and recognizing intervals through the 5th. Musicianship is built with the introduction of legato and staccato touches. This level continues the interval orientation to reading across the full range of the Grand Staff. The 5-finger approach is presented here in a fresh, musically appealing way.

Author James Dickerson recounts Judd's difficult childhood in Kentucky, her big-screen breakthrough in 1993, her starring roles, and her off-screen romances.

Revised Edition of the Suzuki Violin School Method Book 1 With CD by William Preucil Jr.

Scale, chord, arpeggio and cadence studies in all major and minor keys presented in a convenient two-page format. Includes an in-depth 12 page explanation that leads to complete understanding of the fundamentals of major and minor scales, chords, arpeggios and cadences plus a clear explanation of scale degrees and a two-page guide to fingering the scales and arpeggios. In addition, several "enrichment options" are provided with exercises such as harmonizing scales, accelerating scales expanding scales and much more!

These excellent all-inclusive books teach scales, chords, arpeggios, and cadences at three different levels. The FIRST book (#11761) accommodates the learning pace of younger students such as those in Alfred's Basic, Level 2. The BASIC book (#5754) is slightly more in-depth, presenting scales, chords, arpeggios, and cadence studies in all the major and minor keys. The COMPLETE book (#5743) features everything in the BASIC book, plus extra features like a 12-page explanation that leads to complete understanding of the fundamentals of major and minor scales, chords, arpeggios, and cadences; a clear explanation of scale degrees; and a two-page guide to fingering the scales and arpeggios