Southeast Asia

In March 1965, Marine Lieutnant Philip J. Caputo landed in Danang with the first ground combat unit committed to gith in Vietnam. Sixteen months later, having served on the line in one of modern history's ugliest wars, he returned home - physically whole, emotionally wasted, his youthful idealism shattered. A decade later, Caputo would write in A Rumor of War, 'This is simply a story about war, about the things men do in war and the things war does to them'. It is far more then that. It is, a Theodore Solotaroff wrote in the New York Times Book Review, 'the troubled conscience of America speaking passionately, truthfully, finally'. It is the book that shattered America's deliberate indifference to the fact of the men it sent to fight in the jungles of Vietnam, and in the years since it was first published it has become a basic text on that war. But in the literature of war that stretches back to Homer, it has also taken its place as an esteemed classic to rank alongside All Quiet on the Western Front and The Naked and the Dead.

In November of 1964, as Lyndon Johnson celebrated his landslide victory over Barry Goldwater, the government of South Vietnam lay in a shambles. Ambassador Maxwell Taylor described it as a country beset by "chronic factionalism, civilian-military suspicion and distrust, absence of national spirit and motivation, lack of cohesion in the social structure, lack of experience in the conduct of government." Virtually no one in the Johnson Administration believed that Saigon could defeat the communist insurgency--and yet by July of 1965, a mere nine months later, they would lock the United States on a path toward massive military intervention which would ultimately destroy Johnson's presidency and polarize the American people.
Into the Quagmire presents a closely rendered, almost day-by-day account of America's deepening involvement in Vietnam during those crucial nine months. Mining a wealth of recently opened material at the Lyndon Baines Johnson Library and elsewhere, Brian VanDeMark vividly depicts the painful unfolding of a national tragedy. We meet an LBJ forever fearful of a conservative backlash, which he felt would doom his Great Society, an unsure and troubled leader grappling with the unwanted burden of Vietnam; George Ball, a maverick on Vietnam, whose carefully reasoned (and, in retrospect, strikingly prescient) stand against escalation was discounted by Rusk, McNamara, and Bundy; and Clark Clifford, whose last-minute effort at a pivotal meeting at Camp David failed to dissuade Johnson from doubling the number of ground troops in Vietnam. What comes across strongly throughout the book is the deep pessimism of all the major participants as things grew worse--neither LBJ, nor Bundy, nor McNamara, nor Rusk felt confident that things would improve in South Vietnam, that there was any reasonable chance for victory, or that the South had the will or the ability to prevail against the North. And yet deeper into the quagmire they went.
Whether describing a tense confrontation between George Ball and Dean Acheson ("You goddamned old bastards," Ball said to Acheson, "you remind me of nothing so much as a bunch of buzzards sitting on a fence and letting the young men die") or corrupt politicians in Saigon, VanDeMark provides readers with the full flavor of national policy in the making. More important, he sheds greater light on why America became entangled in the morass of Vietnam.

In 1968, at the age of 22 Karl Marlantes abandoned his Oxford University scholarship to sign up for active service with the US Marine Corps in Vietnam. Pitched into a war that had no defined military objective other than kill ratios and body counts, what he experienced over the next thirteen months in the jungles of South East Asia shook him to the core. But what happened when he came home covered with medals was almost worse. It took Karl four decades to come to terms with what had really happened, during the course of which he painstakingly constructed a fictionalized version of his war, MATTERHORN, which has subsequently been hailed as the definitive Vietnam novel. WAR takes us back to Vietnam, but this time there is no fictional veil. WAR reveals the hard-won truths that underpin MATTERHORN: the author's real-life experiences behind the book's indelible scenes. But it is much more than this. It is part exorcism of Karl's own experiences of combat, part confession, part philosophical primer for the young man about to enter combat. It It is also a devastatingly frank answer to the questions 'What is it like to be a soldier?' What is it like to face death?' and 'What is it like to kill someone?'

Ride along on this breath stopping journey of the heart, mind and soul of a 19 year old Marine in this true account of the author's life and experiences in 1969 Vietnam. EVERYTHING HAPPENED IN VIETNAM - THE YEAR OF THE RAT is no dry accounting of military strategy or historical narrative, but rather written in a style more in keeping with the novel, it is a heart rending, soul touching exploration of humanity as a young man comes face to face with the godless countenance of the merciless Rat of War. Beautifully written with an artist's naked sensitivity and a young Marine's unbridled honesty, wit and humor, the reader will not escape being moved and moved deeply. This is NOT your Average War Story. You will not be able to put this one down. And you will read this book more than once. Get ready for one of those rare books that is written for all time and for all people. Somewhere between the covers of this book you will change and be changed forever. "It's a full ride". (24 Photos)

Harrison gives us a well-written account of a little-known facet of the air war over Vietnam.-- Rocky Mountain News