Bosnia and Herzegovina

Logavina Street was a microcosm of Sarajevo, a six-block-long history lesson. For four centuries, it existed as a quiet residential area in a charming city long known for its ethnic and religious tolerance. On this street of 240 families, Muslims and Christians, Serbs and Croats lived easily together, unified by their common identity as Sarajevans. Then the war tore it all apart.
 
As she did in her groundbreaking work about North Korea, Nothing to Envy, award-winning journalist Barbara Demick tells the story of the Bosnian War and the brutal and devastating three-and-a-half-year siege of Sarajevo through the lives of ordinary citizens, who struggle with hunger, poverty, sniper fire, and shellings.
 
Logavina Street paints this misunderstood war and its effects in vivid strokes—at once epic and intimate—revealing the heroism, sorrow, resilience, and uncommon faith of its people.
 
With a new Introduction, final chapter, and Epilogue by the author

May, 1992. Hana is twelve years old when her older sister Atka puts her on a UN evacuation bus fleeing the besieged city of Sarajevo. Thinking they will be apart for a short time, they make a promise to each other to be brave. But as the Bosnian war escalates and months go by without contact, their promise becomes deeply significant. Hana is forced to cope as a refugee in Croatia, while Atka and their younger siblings battle for survival in a city overwhelmed by crime and destruction. Then, when Atka manages to find work as a translator, events take an unexpected turn, and the remarkable events that follow change her life, and those of her family, forever.

In late 1995 and early 1996, cartoonist/reporter Joe Sacco travelled four times to Gorazde, a UN-designated safe area during the Bosnian War, which had teetered on the brink of obliteration for three and a half years. Still surrounded by Bosnian Serb forces, the mainly Muslim people of Gorazde had endured heavy attacks and severe privation to hang on to their town while the rest of Eastern Bosnia was brutally 'cleansed' of its non-Serb population. But as much as "Safe Area Gorazde" is an account of a terrible siege, it presents a snapshot of people who were slowly letting themselves believe that a war was ending and that they had survived. Since it was first published in 2000, "Safe Area Gorazde" has been recognized as one of the absolute classics of graphic non-fiction. We are delighted to publish it in the UK for the first time, to stand beside Joe Sacco's other books on the Cape list - "Palestine", "The Fixer" and "Notes from a Defeatist".

In the spring of 1994, Rwanda was the scene of the first acts since World War II to be legally defined as genocide. Two years later, Clea Koff, a twenty-three-year-old forensic anthropologist analyzing prehistoric skeletons in the safe confines of Berkeley, California, was one of sixteen scientists chosen by the UN International Criminal Tribunal to go to Rwanda to unearth the physical evidence of genocide and crimes against humanity. The Bone Woman is Koff’s riveting, deeply personal account of that mission and the six subsequent missions she undertook—to Bosnia, Croatia, and Kosovo—on behalf of the UN.

In order to prosecute war crimes and crimes against humanity, the UN needs to know the answer to one question: Are the bodies those of noncombatants? To answer this, one must learn who the victims were, and how they were killed. Only one group of specialists in the world can make both those determinations: forensic anthropologists, trained to identify otherwise unidentifiable human remains by analyzing their skeletons. Forensic anthropologists unlock the stories of people’s lives, as well as of their last moments.

Koff’s unflinching account of her years with the UN—what she saw, how it affected her, who was prosecuted based on evidence she found, what she learned about the world—is alternately gripping, frightening, and miraculously hopeful. Readers join Koff as she comes face-to-face with the realities of genocide: nearly five hundred bodies exhumed from a single grave in Kibuye, Rwanda; the wire-bound wrists of Srebrenica massacre victims uncovered in Bosnia; the disinterment of the body of a young man in southwestern Kosovo as his grandfather looks on in silence.

Yet even as she recounts the hellish working conditions, the tangled bureaucracy of the UN, and the heartbreak of survivors, Koff imbues her story with purpose, humanity, and an unfailing sense of justice. This is a book only Clea Koff could have written, charting her journey from wide-eyed innocent to soul-weary veteran across geography synonymous with some of the worst crimes of the twentieth century. A tale of science in the service of human rights, The Bone Woman is, even more profoundly, a story of hope and enduring moral principles.

What Michael Herr's Dispatches was to the Vietnam War, Love Thy Neighbor is to the Bosnian War--a brilliantly observed and deeply felt evocation of war by a writer who witnessed it. The work immediately calls to mind Heller's Catch-22 for its grasp of the absurdity of war, and, for its accurate presentation of the events, Neil Sheehan's A Bright, Shining Lie.

An extraordinary, personal look at modern war by a young correspondent who saw its horrors firsthand, My War Gone By, I Miss It So is already being compared to the classics of war literature.

Born into a distinguished family steeped in military tradition, from his youth Anthony Loyd longed to experience the fury of war from the front lines. Driven by suicidal despair and drug dependence, the former soldier left his native England at the age of twenty-six to cover the bloodiest conflict that Europe had seen since the Second World War -- the war in Bosnia.

Nothing can prepare you for the account of war that Loyd gives. His harrowing stories from the battlefields show humanity at its worst and best, witnessed through the grim tragedies played out daily in the city, streets, and mountain villages of Bosnia and Chechnya.

Profoundly shocking, violent, poetic, and ultimately redemptive, My War Gone By, I Miss It So is an uncompromising look at the terrifying brutality of war. It is a breathtaking, soul-shattering book, an intense and moving piece of reportage that you won't put down and will never be able to forget.

In 1992, Savo Heleta was a young Serbian boy enjoying an idyllic, peaceful childhood in Gorazde, a primarily Muslim city in Bosnia. At the age of just thirteen, Savo's life was turned upside down as war broke out. When Bosnian Serbs attacked the city, Savo and his family became objects of suspicion overnight. Through the next two years, they endured treatment that no human being should ever be subjected to. Their lives were threatened, they were shot at, terrorised, put in a detention camp, starved and eventually stripped of everything they owned.But after two long years Savo and his family managed to escape. And then the real transformation took place. From his childhood before the war to his internment and eventual freedom, we follow Savo's emotional journey from a young teenager seeking retribution to a peaceseeking crusader seeking healing and reconciliation. At once powerful and elegiac, "Not My Turn to Die" offers a unique look at a conflict that continues to compel and enlighten us.

In this brilliant book, Roger Cohen of The New York Times takes us to the core of one of the twentieth century's most complex stories, weaving together the history of Yugoslavia and the story of the Bosnian War of 1992 to 1995, as experienced by four families.
        
"I have tried to treat the story of Yugoslavia, which lived for seventy-three years, as a human one," Cohen writes in this masterly book, which, like Thomas Friedman's From Beirut to Jerusalem and David Remnick's Lenin's Tomb, makes us eyewitnesses at the center of historic events. In the aftermath of the Cold War, the Bosnian conflict shattered the West's confidence, reviving Europe's darkest ghosts and exposing an America reluctant to confront or acknowledge an act of genocide on European soil. Through Cohen's compelling reconstruction of the twentieth-century history that led up to the war, and his account of the war's effect on everyday lives, we at last find the key to understanding Europe's most explosive region and its peoples.
        
"This was a war of intimate betrayals," Cohen goes on to say, and in Hearts Grown Brutal, the betrayals begin in the family of a man named Sead. Through his search for his lost father, we relive the history of Yugoslavia, founded at the end of World War I with the encouragement of President Woodrow Wilson. Sead's desperate quest is punctuated by the lies, half truths, and pain that mark other sagas of Yugoslavia. Through three more families--one Muslim-Serb, one Muslim, and one Serb-Croat--we experience the war in Bosnia as it breaks up marriages and sets relative against relative. The reality of the Balkans is illuminated, even as the hypocrisy of the international response to the war is exposed.
        
Hearts Grown Brutal is a remarkable book, a testament to the loss of a multi-ethnic European state and a warning that the violence could return. It is a magnificent achievement that blends history and journalism into a profoundly moving human story.