 |
David Copperfield Charles Dickens In a preface to this novel, Dickens described David Copperfield as his "favorite child," and the story has remained among the favorites of Dickens' readers, too, with the characters of Betsy Trotwood, Mr. Pegotty, Uriah Heep, and Wilkins Micawber as well as David himself becoming part of the fabric of Western culture. This facsimile reprint is of the Household Edition of the Works of Charles Dickens, published in the 1870s; the edition makes the work available again in a form in which tens of thousands of Victorians read it—in two-column format, interspersed with illustrations throughout. David Copperfield was originally published in nineteen monthly parts between May 1, 1849 and November 1, 1850.* Each part except the last was of roughly the same length; the final installment was approximately twice as long as the others (and sold for 2 shillings, twice the price of previous parts). For the original serial publication, as well as early publication in book form, David Copperfield was illustrated by Hablot Browne (more commonly known as "Phiz"). Shortly after Dickens' death in 1870 the British publisher Chapman & Hall began to issue the Household Edition of the Works of Charles Dickens (not to be confused with the American Household Edition of the Works, which appeared in the 1860s). The principal illustrator for the edition was Fred Barnard, and the Dalziel brothers (the leading wood-engravers of the time) created the engravings from Barnard's illustrations; they described The Household Edition as "by far the most important commission ever placed in our hands by Messrs. Chapman & Hall." Volumes in The Household Edition began to appear in 1871, and the series was completed in 1879. Dickens' works appeared in a great many Victorian editions (including numerous pirated ones). Scholars have understandably paid most attention to the earliest publication in serial form; The Household Edition may well have been the most popular form in which the novel appeared, however; the plates for The Household Edition were widely used for other editions as well, and it is certainly arguable that more Victorian readers would have read Dickens' novels in this form than in any other. In 1911 the populist bibliophile J.A. Hammerton described The Household Edition as "the most important illustrated edition" of Dickens' works. This is one of a series from Broadview Press of facsimile editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them. |
 |
Letters of a Woman Homesteader Elinore Pruitt Stewart Letters of a Woman Homesteader presents an outstanding first-person account of life on the American frontier. Elinore Pruitt Stewart took up homesteading in Burnt Fork, Wyoming, in 1909, to prove that a woman could ranch. Her captivating letters, sent to a former employer in Denver, reveal the isolation, the beauty, and the joy of working the prairie.The basis for the acclaimed movie Heartland, this charming chronicle is part of our vanished past. Stewart's courage and her delight in the world around her cannot fail to capture the hearts of her listeners. |
 |
Letters on Demonology and Witchcraft Walter Scott Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: VALUABLE WORKS Recently Printed by J. |
 |
Against Wind and Tide: Letters and Journals, 1947-1986 Anne Morrow Lindbergh Why, as an eager and talented writer, has Anne Morrow Lindbergh published so relatively little in forty years of marriage?” asked reviewer John Barkham in 1970. “After a promising start with those first books on flying, she tapered off into long silences broken by an infrequent volume of verse or prose.” Many years later, Lindbergh replied with a quote from Harriet Beecher Stowe, who claimed that writing, for a wife and mother, is “rowing against wind and tide.”
In this sixth and final collection of Lindbergh’s diaries and letters, taking us from 1947 to 1986, we mark her progress as she navigated a remarkable life and a remarkable century with enthusiasm and delight, humor and wit, sorrow and bewilderment, but above all devoted to finding the essential truth in life’s experiences through a hard-won spirituality and a passion for literature.
Between the inevitable squalls of life with her beloved but elusive husband, the aviator Charles A. Lindbergh, she shepherded their five children through whooping cough, horned toads, fiancés, the Vietnam War, and their own personal tragedies. She researched and wrote many books and articles on issues ranging from the condition of Europe after World War II to the meaning of marriage to the launch of Apollo 8. She published one of the most beloved books of inspiration of all time, Gift from the Sea. She left penetrating accounts of meetings with such luminaries as John and Jacqueline Kennedy, Thornton Wilder, Enrico Fermi, Leland and Slim Hayward, and the Frank Lloyd Wrights. And she found time to compose extraordinarily insightful and moving letters of consolation to friends and to others whose losses touched her deeply.
More than any previous books by or about Anne Morrow Lindbergh, Against Wind and Tide makes us privy to the demons that plagued this fairy-tale bride, and introduces us to some of the people—men as well as women—who provided solace as she braved the tides of time and aging, war and politics, birth and death. Here is an eloquent and often startling collection of writings from one of the most admired women of our time. |
 |
How to write clearly; rules and exercises on English composition Edwin Abbott ALMOST every English boy can be taught to write clearly,
so far at least as clearness depends upon the arrangement
of words. Force, elegance, and variety of style are more
difficult to teach, and far more difficult to learn; but clear
writing can be reduced to rules. To teach the art of
writing clearly is the main object of these Rules and
Exercises.
Ambiguity may arise, not only from bad arrangement!
but also from other causes from the misuse of singlq
words, and from confused thought. These causes are!
not removable by definite rules, and therefore, though
not neglected, are not prominently considered in this
book My object rather is to point out some few con-
tinually recurring causes of ambiguity, and to suggest
definite remedies in each case. Speeches in Parliament,
newspaper narratives and articles, and, above all, reso-
lutions at public meetings, furnish abundant instances of
obscurity arising from the monotonous neglect of some
dozen simple rules.
The art of |
 |
The Letters of Ernest Hemingway: Volume 1, 1907-1922 (The Cambridge Edition of the Letters of Ernest Hemingway) Ernest Hemingway With the first publication, in this edition, of all the surviving letters of Ernest Hemingway (1899-1961), readers will for the first time be able to follow the thoughts, ideas and actions of one of the great literary figures of the twentieth century in his own words. This first volume encompasses his youth, his experience in World War I and his arrival in Paris. The letters reveal a more complex person than Hemingway's tough guy public persona would suggest: devoted son, affectionate brother, infatuated lover, adoring husband, spirited friend and disciplined writer. Unguarded and never intended for publication, the letters record experiences that inspired his art, afford insight into his creative process and express his candid assessments of his own work and that of his contemporaries. The letters present immediate accounts of events and relationships that profoundly shaped his life and work. A detailed introduction, notes, chronology, illustrations and index are included. |
 |
De Profundis Oscar Wilde This collection chronicles the fiction and non fiction classics by the greatest writers the world has ever known. The inclusion of both popular as well as overlooked pieces is pivotal to providing a broad and representative collection of classic works. |
 |
Letters to a Young Contrarian (Art of Mentoring) Christopher Hitchens In the book that he was born to write, provocateur and best-selling author Christopher Hitchens inspires future generations of radicals, gadflies, mavericks, rebels, angry young (wo)men, and dissidents. Who better to speak to that person who finds him or herself in a contrarian position than Hitchens, who has made a career of disagreeing in profound and entertaining ways.This book explores the entire range of "contrary positions"-from noble dissident to gratuitous pain in the butt. In an age of overly polite debate bending over backward to reach a happy consensus within an increasingly centrist political dialogue, Hitchens pointedly pitches himself in contrast. He bemoans the loss of the skills of dialectical thinking evident in contemporary society. He understands the importance of disagreement-to personal integrity, to informed discussion, to true progress-heck, to democracy itself. Epigrammatic, spunky, witty, in your face, timeless and timely, this book is everything you would expect from a mentoring contrarian. |
 |
The Willie Lynch Letter And The Making Of A Slave Willie Lynch The Willie Lynch Letter and The Making of A Slave is a speech delivered by Willie Lynch to an audience on the bank of the James River in Virginia in 1712 regarding control of slaves within the colony. The speaker, William Lynch, is said to have been a slave owner in the West Indies, and was summoned to Virginia in 1712; in part due to several slave revolts in the area prior to his visit, and more so because of his reputation of being an authoritarian and strict slave master. The Willie Lynch Letter is an account of a short speech given by Willie Lynch, in which he tells other slave owners that he has discovered the "secret" to controlling enslaved Africans by setting them against one another. |
 |
Letters to a Young Poet Rainer Maria Rilke Every page is stamped with Rilke's characteristic grace, and the book is free of the breathless effect that occasionally mars his poetry. His ideas on gender and the role of the artist are also surprisingly prescient. And even his retrograde comment on the "beauty of the virgin" (which the poet derives from the fact that she "has not yet achieved anything") is counterbalanced by his perception that "the sexes are more related than we think." Those looking for an alluring image of the solitary artist--and for an astonishing quotient of wisdom--will find both in Letters to a Young Poet. |